書藝CALLIGRAPHY

時光林獨創皺書，源自陰陽二元的互動，指涉墨與紙的互動。當墨在不平的宣紙，比平紙是多了縱深的揮灑空間，猶如雲霧降落群山，多了高低起伏的接觸面，除了產生深淺不同的墨暈、飛白外，還有自由的亮點散佈其中，具有豐富層次感。

時光林皺書突破書法既有框架，運用半自動性技法，結合了自動性和意識控制的元素，不完全依賴潛意識的情況下進行自由和創造性的表達。它以皺書概念的引導，不限制其形式創造的發揮，書寫過程失敗率高，但可帶來意外驚喜。

2021年疫情期間，時光林每日以藝術對抗病毒，寫最台的皺書，蓋最台的印章，鼓勵台灣人。在不斷利他人的行動當中，竟打破書法幾千年來只為國語服務的目的。

Time Lin's unique wrinkled calligraphy originates from the interaction of Yin and Yang, referring to the interaction between ink and paper. When ink is on uneven Xuan paper, it offers more depth and space for expression than on flat paper, like clouds descending upon mountains, creating more undulating contact surfaces. Besides producing varying shades of ink washes and flying white strokes, it also allows for free-flowing highlights, resulting in a rich sense of layering.

Time Lin's wrinkled calligraphy breaks through the existing framework of calligraphy, employing semi-automatic techniques that combine elements of automation and conscious control, allowing for free and creative expression without relying entirely on the subconscious. Guided by the concept of wrinkled calligraphy, it does not restrict the creative expression of its form. The writing process has a high failure rate, but it can bring unexpected surprises.

During the 2021 pandemic, Time Lin used art to fight the virus daily, writing the most Taiwanese wrinkled calligraphy and stamping the most Taiwanese seals to encourage Taiwanese people. In this continuous act of benefiting others, it broke the millennia-old purpose of calligraphy serving only the Mandarin language.